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	<title>kenny wong works</title>
	<link>https://kenny-wong.com</link>
	<description>kenny wong works</description>
	<pubDate>Wed, 06 May 2026 23:11:51 +0000</pubDate>
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		<title>home-images</title>
				
		<link>https://kenny-wong.com/home-images</link>

		<pubDate>Tue, 09 Apr 2019 06:32:24 +0000</pubDate>

		<dc:creator>kenny wong works</dc:creator>

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		<description>Works


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		<title>bus shelters</title>
				
		<link>https://kenny-wong.com/bus-shelters</link>

		<pubDate>Wed, 19 Oct 2022 02:49:50 +0000</pubDate>

		<dc:creator>kenny wong works</dc:creator>

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		<description>Worksfair/fare/fair
weather/whether

shelter




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“I know I do not exaggerate, unconsciously and unintentionally, the scantiness of my resources or the difficulties of my life [...] I know that I worked, from morning until night, with common men and boys, a shabby child. I know that I lounged about the streets, insufficiently and unsatisfactorily fed. I know that, but for the mercy of God, I might easily have been, for any care that was taken of me, a little robber or a little vagabond.” (David Copperfield, 172)


Inspired by the novel’s vivid bodily descriptions of travel and twinned indignity and precarity of low-wage work, this project finds their intersection and analog in the bus shelters of Tucson, Arizona. Among over 2,250 bus stops distributed throughout Pima County, an untold and unmarked number of shelters are fabricated by the incarcerated workers of Arizona Correctional Industries.* These bus shelters mark sites where we might begin to view the extreme labor exploitation of individuals in prison alongside quotidian injustices of the low-wage economy, in which invisibilized, essential workers are often reliant on stigmatized public transportation. Through the 19th century visual technology of stereoscopy, I investigate these connections in the built environment and recover the bus shelter as an intimate space for care with a series of stereographs that combine multiple forms of labor to reimagine these spaces and systems.



—


The Arizona Republic with KJZZ News published a major investigative report into the practices of ACI across the state in July 2022. A summary is available at prisons.kjzz.org, and the full series (behind paywall) is at prisonlabor.azcentral.com. In June 2022, the ACLU released the report Captive Labor: Exploitation of Incarcerated Workers that looked at the use of prison labor, including ACI, nationwide.
—Book of the City: Exhibiting a Southwestern Humanities
Sun Tran Bus Stops, City of Tucson Open Data


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	<item>
		<title>green new wave</title>
				
		<link>https://kenny-wong.com/green-new-wave</link>

		<pubDate>Tue, 09 Apr 2019 06:32:25 +0000</pubDate>

		<dc:creator>kenny wong works</dc:creator>

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		<description>Works

Green New Wave




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The Green New Wave proposes a transformative infrastructural development incorporating the Orange Bus Rapid Transit Line in Los Angeles’ San Fernando Valley. Situated within Metro’s transportation right-of-way, the project consolidates and leverages publicly-owned land and facilities to position the Valley for growth in a future shaped by climate change and increasing demands on water infrastructure.

 

It establishes a layered development extending nearly two miles along Victory Boulevard, creating an innovative and ambitiously-programmed infrastructure-scaled development.  Simultaneous providing management for stormwater runoff and treatment for water reclamation, the project extends and lifts the adjacent park with a planted surface, cresting like a wave, over a new strand of mixed-use DNA injected into the existing urban fabric. The crucial management of potable water and wastewater augments the city’s capacity for continued growth in harmony with investments in public transportation and public systems of infrastructure.

 

The Green New Wave reimagines the interface between the Sepulveda Basin Recreation Area, a crucial regional and infrastructural open space, and its surrounding suburban fabric, with an eye towards Los Angeles’ new climate future. It forms an architecture where density, public transportation, living, working, and community come together to create a new idea of the city.

Project designed with Haoyu Chen, Liyao Chen, and Siqi Zhang.
AUD Research Studio 2019, Studio Critic: Roger Sherman
Featured student work at aud.ucla.edu</description>
		
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		<title>la london</title>
				
		<link>https://kenny-wong.com/la-london</link>

		<pubDate>Sat, 31 Aug 2019 08:18:36 +0000</pubDate>

		<dc:creator>kenny wong works</dc:creator>

		<guid isPermaLink="true">https://kenny-wong.com/la-london</guid>

		<description>Works




LA 1992/London 1780




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Project developed in collaboration with Jacqueline Barrios (UCLA English, USC Neighborhood Academic Initiative, and LAUSD).

Generously supported by the UCLA Urban Humanities Initiative, Dickens Project, and USC Neighborhood Academic Initiative. 

LA 1992/London 1780 exhibited throughout Winter and Spring 2019 at the Foshay Learning Center, UCLA English Graduate Conference (Royce Hall), UHI Alumni Salon (DeCafe), and UCSC Dickens Universe (Eloise Pickard Smith Gallery).</description>
		
	</item>
		
		
	<item>
		<title>micro public-ation</title>
				
		<link>https://kenny-wong.com/micro-public-ation</link>

		<pubDate>Sat, 31 Aug 2019 08:09:14 +0000</pubDate>

		<dc:creator>kenny wong works</dc:creator>

		<guid isPermaLink="true">https://kenny-wong.com/micro-public-ation</guid>

		<description>Works

Micro Public-ation

&#38;amp;

A Book of Plans

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&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/94e1789190f7ae70662276527ec6791fe9c0cb64dbdcd97318bbe676cb70eb96/micropub-04-9283.jpg" data-mid="118249198" border="0"  src="https://freight.cargo.site/w/1000/i/94e1789190f7ae70662276527ec6791fe9c0cb64dbdcd97318bbe676cb70eb96/micropub-04-9283.jpg" /&#62;






Micro Public-ation is an installation that creates a small public space through the device of a hypertrophic self-produced book.
A Book of Plans unfolds in space, decompressing the lines and signs contained within to demarcate small reading rooms and places for conversation. It takes on the project of defining publics in both senses of creating an audience of readership or discourse and creating a public realm of space. The 720 pages of the book use their printed “words” and material physicality to produce a lightweight and flexible definition of space, aligning the book’s form and content. The “plans” within are both metaphorical and concrete—potentials contingent in their realization.

The installation gathers associated objects to show how the self-produced book can draw together other things to define a small world, bridging among the one and the many. The playful elementary forms serve as bookcases for the reading room, and they house a personal selection of self-published print matter to demonstrate their importance in calling together various communities, defining both social spaces and spaces of action.

The title itself, Micro Public-ation uses a play on words to conflate ideas of publics, public space, and publishing through its key suffix -ation which “forms nouns of action” from verbs (Oxford English Dictionary). It proposes not just “publish” as its verb but “public” as one too, requiring action and taking space.
By bringing together familiar words, forms, and spaces in unexpected ways, Micro Public-ation is an investigation of how to create new relationships among people, places, and things—if only for a moment.


Micro Public-ation exhibited at the 2019 UHI Alumni Salon: _plan.A Book of Plans was designed and produced for an interdisciplinary SOAA seminar with UC Regents’ Scholar Lars Müller.</description>
		
	</item>
		
		
	<item>
		<title>mist opportunity</title>
				
		<link>https://kenny-wong.com/mist-opportunity</link>

		<pubDate>Tue, 10 Sep 2019 07:24:30 +0000</pubDate>

		<dc:creator>kenny wong works</dc:creator>

		<guid isPermaLink="true">https://kenny-wong.com/mist-opportunity</guid>

		<description>Works

Mist Opportunity




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Mist Opportunity is a short film about the “commoning” of Echo Park Lake. Using the techniques of filmic

sensing and performance art in public space, the event of the ice block’s journey, propelled by human
hands, provided a way for the UHI team to investigate the social use and production of space around the
lake. Situated in one of the few large parks in Los Angeles, it is instrumental for the health and well-being
of Angelenos, and notably so on high-temperature days. It is also a space used by multiple publics, yet
with clear but invisible lines of division. The curious movement of the ice block slide through them all,
temporarily thawing relationships and helping to map different users, audiences, and reactions in the

park. 

Project completed in collaboration with Hannah Fong (UCLA Urban Planning), Chelsey Smith (UCLA Spanish &#38;amp; Portuguese), and May Wang (UCLA Architecture &#38;amp; Urban Design).
Mist Opportunity exhibited at the 2017 UHI x 

EPFC (Echo Park Film Center) FilmMobile 

Film Festival and the 2018 UHI Alumni Salon.
</description>
		
	</item>
		
		
	<item>
		<title>college housing opportunity</title>
				
		<link>https://kenny-wong.com/college-housing-opportunity</link>

		<pubDate>Tue, 10 Sep 2019 08:00:48 +0000</pubDate>

		<dc:creator>kenny wong works</dc:creator>

		<guid isPermaLink="true">https://kenny-wong.com/college-housing-opportunity</guid>

		<description>Works

Opportunity Starts at Home




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Contribution of the literature review “Housing and Educational Outcomes: Compelling Research” appears on pages 8-12.


Report published by the Southern California Association for Nonprofit Housing (SCANPH) and cityLAB UCLA.</description>
		
	</item>
		
		
	<item>
		<title>sawtelle gardens</title>
				
		<link>https://kenny-wong.com/sawtelle-gardens</link>

		<pubDate>Tue, 10 Sep 2019 08:05:20 +0000</pubDate>

		<dc:creator>kenny wong works</dc:creator>

		<guid isPermaLink="true">https://kenny-wong.com/sawtelle-gardens</guid>

		<description>Works

The Botanical Gardens of Sawtelle




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The Botanical Gardens of Sawtelle was completed in collaboration with Sara Bond (UCLA Library and Information Science), Clarissa Brunt-Pluta (UCLA Architecture and Urban Design), 
Andrés Carrasquillo (UCLA Urban Planning), and Ariel Hernandez (UCLA Gender Studies). 

Project generously supported by the UCLA Urban Humanities Initiative, Andrew W. Mellon

Foundation, and 
Institute on Inequality and Democracy at UCLA Luskin.
The Botanical Gardens of Sawtelle is collected in Powell Library at UCLA (ZINE 337) and the  West Los Angeles Regional, John C. Fremont, and Edendale Branches of the Los Angeles Public Library (ZINE).

</description>
		
	</item>
		
		
	<item>
		<title>salon two catalog</title>
				
		<link>https://kenny-wong.com/salon-two-catalog</link>

		<pubDate>Tue, 10 Sep 2019 08:18:19 +0000</pubDate>

		<dc:creator>kenny wong works</dc:creator>

		<guid isPermaLink="true">https://kenny-wong.com/salon-two-catalog</guid>

		<description>Works

UHI Salon 02 Exhibition Catalog




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Design, print, and production of a small run of 50 copies (soft cover, pamphlet stitched).</description>
		
	</item>
		
		
	<item>
		<title>uhn unconference 2</title>
				
		<link>https://kenny-wong.com/uhn-unconference-2</link>

		<pubDate>Wed, 06 May 2026 23:11:51 +0000</pubDate>

		<dc:creator>kenny wong works</dc:creator>

		<guid isPermaLink="true">https://kenny-wong.com/uhn-unconference-2</guid>

		<description>Works

Urban Humanities Network (Un)Conference 2:&#38;nbsp;
Exhibitions and Creating Urban Humanities 
Publics
&#38;amp; 

Exhibiting a Southwestern Urban Humanities




The Urban Humanities Network (@urbanhumanities_network) hosted its (Un)Conference 2 at the University of Washington St. Louis, October 16–18, 2025, in St. Louis, MO.
The Poster Session was organized in Steinberg Gallery, an exhibition space within Steinberg Hall—the first project in the USA by internationally-renowned architect Fumihiko Maki.


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(Above Photo Gallery by Sid Hastings)
The (Un)Conference 2 Poster Session was curated and developed in collaboration with Jacqueline Barrios (University of Arizona, Public and Applied Humanities).</description>
		
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